Showing posts with label Arizona. Show all posts
Showing posts with label Arizona. Show all posts

Monday, March 4, 2013

Procrastinators of the World, Unite!

Today's date brings me joyous relief. Why? It's my day to talk to you about books, and it's also National Procrastination Week. I'm not sure exactly what about procrastination we're supposed to celebrate (naturally, I'll put off investigating until tomorrow), but I choose to think we procrastinators are granted a guilt-free week for getting caught up. We can yet again resolve to do things in a more timely manner. I'll do that later. Right now I want to tell you about a book whose review fell prey to my procrastination and then I'll mention a few other good books and the movies made from them.

Liars Anonymous by Louise Ure

If you grew up in the United States, you probably heard the story of the young George Washington and the cherry tree. His father finds his beautiful tree lying on the ground and asks George if he knows who chopped it down. George replies, "I can't tell a lie, Pa; you know I can't tell a lie. I did cut it with my hatchet." Rather than punish George for cutting down the tree, his father praises him for his honesty. We'll postpone debating the truth of this legend.

On Washington's birthday in February, my idea was to write not about an honest hero, but about Louise Ure's Jessica Dancing Gammage. Washington's birthday is past, but it's never too late for reading about Jessie. If there was a 12-step program for liars, like there is for alcoholics, prosecutor Ted Dresden says she'd be its "queen and founder and president." Jessie is honest enough with us, however, to begin her narration of Liars Anonymous with these words:
I got away with murder once, but it doesn't look like that's going to happen again. Damn. This time I didn't do it. Well, not all of it, anyway.
"This time" involves Darren Markson. When the airbag in the Cadillac he's driving in the desert near Tucson, Arizona deploys, it triggers a satellite phone call to Jessie, a HandsOn car emergency service operator in Phoenix. Markson tells Jessie that he's been rear-ended and he's going to talk to the guy in the other car. She hears him get out of his car. Three people speak briefly and next come alarming noises of a physical fight before someone disconnects the HandsOn call. Jessie is disturbed enough to do something illegal. She reactivates the audio connection to Markson's Cadillac and listens to sounds that she interprets as Markson's murder.

Jessie's call to 911 prompts a Tucson police investigation of the accident site. There is some evidence left by the collision but no cars or people are found. The police ask Jessie for help interpreting the HandsOn evidence. She leaves Phoenix––where HandsOn knows her as Jessie Dancing, and Mind Your Manors housesitting service knows her, falsely, as "a former nun and nondrinker, with an allergy to pet dander"––and heads to Tucson, her hometown. There, she is known as the woman who three years earlier was acquitted of murder. She immediately runs into problems.

The story about Markson that she tells Detective Deke Treadwell is undercut by Markson's wife Emily, who knows nothing about an accident and says her husband called her the day after Jessie says he was rear-ended. Markson said he was flying to a meeting in New Mexico and that he'd left his car in the airport parking lot. Jessie, an expert in lying, diagnoses a bad liar and resents being drawn into a subterfuge.

Det. Treadwell, former partner of Jessie's retired father, and her father are the only ones who still believe Jessie isn't a murderer. Other cops and attorneys in the DA's office resent her reappearance in Tucson and are suspicious of her involvement with the missing Markson. As Jessie explains, "Declared not guilty of a crime I had committed, I was not about to be railroaded into one I had not." She has no choice but to figure out what happened to Markson.

While Jessie is sucked into the spiraling violence surrounding Markson's vanishing, she tells us, bit by bit, about herself and the murder she committed. Jessie is the first of seven children. Her mother always kept her at arm's length and now she considers Jessie dead. After majoring in philosophy in college, Jessie had been working as a bartender when her very close friend Catherine died. That's when Jessie "took over her quest" and killed someone. She confides, "You would have thought those studies would have better prepared me to come to terms with becoming a killer, but the ethics of killing were still a muddle to me. If you take a life, does it change you? Yes, in a thousand shadowed ways. Is it worth it? Sometimes."

Jessica Dancing Gammage is an extraordinary character whose story deals with personal responsibility and the gulf between guilt and innocence. Liars Anonymous is full of action, but it's Jessie, the honest liar, and the story's ending that blew me away.



My husband and I are enjoying our own crime fiction film festival. Don't put off reading these outstanding books and watching their movies:

Prizzi's Honor
Richard Condon. Two mafia killers fall in love in Condon's black comedy, Prizzi's Honor. It was made famous by the John Huston film starring Jack Nicholson, Kathleen Turner and Anjelica Huston. Condon also wrote The Manchurian Candidate, an outstanding Cold War conspiracy thriller about thought control and political assassination. It was made into a great 1962 movie with Frank Sinatra, Laurence Harvey and Janet Leigh, and filmed again in 2004 with Denzel Washington, Meryl Streep, Liev Schreiber and Jon Voight. Watch them both and see if you agree with me that the earlier one is better.

High Sierra
W. R. Burnett. In Little Caesar, crime's a hoppin' in Chicago during Prohibition. Cesare "Rico" Bandello has killed a cop and is climbing organized crime's career ladder before he's forced to run for his life. Edward G. Robinson and Douglas Fairbanks Jr. star in the classic 1930 movie of the same name. Who hasn't seen Humphrey Bogart, Ida Lupino, Alan Curtis and Arthur Kennedy in John Huston's 1941 High Sierra? Burnett wrote the noir novel about a Palm Springs, California heist before collaborating on the movie with Huston. In 1950, Huston filmed Burnett's The Asphalt Jungle, which stars Sterling Hayden, Jean Hagen and Sam Jaffe in a caper story about a jewelry robbery.

A Kiss before Dying
Ira Levin. This writer was a machine for turning out books that became movies. A Kiss before Dying involves a scheming psychopath who wants a fortune and decides that courting a rich family's daughters is one way to get it. Robert Wagner stars in the 1956 film that also introduces Joanne Woodward. Forget the 1991 remake with Matt Dillon and Sean Young. In the supernatural/horror thriller Rosemary's Baby, Rosemary and her husband Guy move into a new apartment house and when Rosemary becomes pregnant, she finds Guy and the other tenants increasingly spooky. Many of us are familiar with the movie featuring Mia Farrow and John Cassavetes. Like Rosemary in Rosemary's Baby, Joanna Eberhart feels like a fish out of water in the satirical novel The Stepford Wives. The other married women in Stepford, Connecticut are strangely docile. The Stepford Wives was filmed multiple times but the only version I like is the 1975 version with Katharine Ross. I've written before about Levin's neo-Nazi thriller The Boys from Brazil (here). I've yet to read or see Levin's Sliver, which is about voyeurism and obsession. I might take a pass on the movie unless someone can recommend it. The Rotten Tomatoes website viewers rated it a solid rotten splat, with only 12 percent liking it!

Fellow procrastinators, I hope you enjoy our week. Let's all vow to be better about being on time. Tomorrow. For now, I vote we curl up with a good book. I'm heading for the couch with Herman Koch's The Dinner. What about you?

Deciding on your style is one more good way to procrastinate

Wednesday, February 27, 2013

"The past is never dead. It's not even past."

Should we believe in coincidences? I believe I should. Lately, I picked up several books in a row that all repeated a similar theme. It meant either that plenty of authors have similar dreams, or my reading picks are not as random as I thought. It may also be a sign that I am meant to write about these books. Their main idea is that what goes around comes around, and what you did during World War II will come back to haunt you, no matter where you did it. It is usually Sister Mary who has the goods on skullduggery during the Second World War, but I will trespass just a little bit today.

William Faulkner said, "The past is never dead. It's not even past." This quotation might be the best part of his Requiem for a Nun and it really came to mind with Death on the Marais by Adrian Magson.

Marais is the French word for marsh, or quagmire, and that is what Inspector Lucas Rocco finds when he is transferred from his Paris job to Poissons-les-Marais. He had been a Paris policeman for a long time when a new broom in the Interior Ministry felt that the more rural provinces needed some Parisian expertise in law enforcement. Rocco was exiled to this country village in Picardie, a northwestern province of France. His superiors had a few interesting things to say of him, like that "he was an insubordinate bastard, insolent as well as pushy, dogmatic and a nobody, reckless … a rebel. A good cop, though."

Rocco expects the new assignment to be quiet, uneventful and maybe boring, but he doesn't expect that the first thing he will run into in the village is a crowd pulling a dead woman from the marsh at the edge of a war cemetery. The shocker is that she is wearing a Gestapo uniform––when World War II has been over for 20 years.

This novel is set in the 1960s, and Rocco's war experiences are of another war, not World War II. He spent his army days in the jungles of Indochina during the conflict between the French and the Vietnamese, after France reoccupied the area after World War II. He had developed sharply-honed survival skills that come back to him as he negotiates the treacherous bogs of the marais, as well as the vagaries of the locals as they once again align themselves into separate camps of collaboration and resistance.

Once the woman is identified as the daughter of a well-connected wealthy man named Phillippe Bayer-Barbier, Rocco heads back to Paris, following the trail of very dirty secrets. The detective is astounded at the man's reaction to his daughter's death. Bayer-Barbier begins to lie and then distance himself, behaving as if she brought this on herself. He is a man with many skeletons in his closet, most of them nasty, and most of them having been buried during the war.

There is an interesting cast of ancillary characters in this village: the local policeman, a tramp whose expertise is defusing bombs left over from the war, as well as several people who service a small mansion where Parisian men come for nefarious, mostly sexual, purposes and perversions. Rocco doesn't know whom to trust, and the seemingly calm waters hide dangerous undercurrents. The mystery is exciting and as murky as any marais, and what has happened in the past lies bubbling just under the surface.

The dogs of this war refuse to lie down in other countries as well. In Italy, there is still a pas de deux featuring people who took different sides in the war, and who still distrust each other, but now must perform together amicably.

Jill Downie's Daggers and Men's Smiles begins in Guernsey, a Channel Island that was the site of great German fortifications and an Organisation Todt forced-labor camp in which prisoners were worked to their deaths. Detective Inspector Ed Moretti returns from a trip to Italy to find that while away, he has been assigned a new female partner, DC Liz Falla. There is also an international production company on the island, making a movie based on a bestselling novel about an aristocratic Italian family at the end of the Second World War.

The novel is called Rastrellamento and dramatizes a military round-up of partisans who had been betrayed to the Nazis. Guernsey's cement bunkers, underground command post and hospital make for excellent film locations, and the cream on the pie is that the manor house is still inhabited by expatriate Italians, the Vannonis.

Ed Moretti himself is of Italian heritage. His father was a prisoner of war in the Todt camp and his mother was a native Guernsey girl who risked her life to give him food. After the war, he came back and married her. Ed speaks Italian and this is of help when a series of murders shakes up the island.

First to die is the philandering son-in-law of the Vannonis, and then the pompous author of Rastrellamento. The striking feature of both murders is the use of a ceremonial dagger similar to one on the Vannoni coat of arms.

There is quite a bit of mystery surrounding the Vannonis, and the past is never spoken of. The solutions to the crimes lie in Italy and in what went before. The Vannonis were, at one time, involved with Mussolini, fascism and more. Moretti goes to Italy to find his answers.

Both Death on the Marais and Daggers and Men's Smiles are the first in a series. I liked Rocco, Moretti and Falla. Both of the Guernsey cops moonlight musically in the evenings, when they have free time. Ed plays a mean jazz piano and Liz is a folk singer with an Enya sound.

Even in the US, the echoes of the World War II past come back like ghosts. In Desert Run, by Betty Webb, the mystery is fashioned on some of the real events surrounding the German POW camps in Arizona. A documentary is being shot at Papago Park about the German POW camp that had been located there, and the "Great Escape" of Christmas Eve, in 1944. The film is to tell the story that during the autumn months, the prisoners dug a tunnel under the desert floor to a nearby river, which the escaping Germans planned to use to transport themselves to Mexico.

With the help of a map, which appeared to show that a nearby river flowed all the way to Mexico, and under the cover of singing Christmas carols, 28 escapees went under the fence. They soon discovered that in the Sonora Desert, rivers are usually dry and go nowhere. Most escapees were recaptured in days.

One surviving escapee, Kapitan Erik Ernst, is now 90 years old and about to be interviewed about these past events. Before he can speak his piece, he is murdered. Scottsdale PI Lena Jones is doing security for Warren Quinn, the director of the documentary. Both Quinn and the Ethiopian caregiver, who has been accused of Ernst's murder, want Lena to find his killer. The answer may lie in the past.

During the escape, three men separated from the others, who were recaptured. Ernst was among the three who avoided immediate recapture. They fled into the mountains, where they were suspected of brutally murdering a local family. Another suspect in Ernst's death is Chess Bolinger, the only member of the family to survive the massacre. He had plenty of motives to kill Ernst, because he had been living under the suspicion of being the murderer of his family as well. And he knew the truth.

Nothing is known of the other two men who were with Ernst, and Betty Webb weaves an intriguing tale about what happened to these men. In a postscript, she gives the reader a short history of the POW camps, the 1944 escape and the recapture off all of the 25 escapees. She mentions that several former POWs moved to Arizona after the war. In 1985, there was a reunion of former POWs at the site, which is now part of the Oakland Athletics training fields.

Out of the blue, the next book I picked up was Kate Ellis's The Armada Boy, which tells a tale of a D-Day veteran returning to England for a reunion.

Fifty years after D-Day, a group of elderly Americans have returned to the Devonshire town of Bereton, where they had prepared for the Normandy invasion. One of the old soldiers, Norman Openheim, is found murdered on the grounds of an old chapel where the GIs used to meet the local girls for romantic encounters.

The people of the area have long memories––many of them good, but most bitterly recall that their village was taken from them by the authorities, and when they return, it was a shambles. It was no secret that the GI influence over the local girls was resented.

It seemed also that Norman might have left more than just memories behind. His wartime girlfriend was pregnant when he was recalled to the US. Norman's wife does not seem particularly saddened by his demise when Detective Sergeant Wesley Peterson begins his investigation by interviewing her. Motives swirl around this case, because one of the reunion party is suspected of raping a local girl and one of the GIs was supposed to have shot a local man who was poaching in an out-of-bounds area. Yes, indeed, the past is where the answer is to be found for this death in the present.

The historical facts of the matter were that there was an area of Devon evacuated at the end of 1943 so that the US troops could rehearse the D-Day landings there. All the local people and their animals were evacuated and had to find alternative places to live. There is a memorial on Slapton Sands in South Devon to the American troops who died during Exercise Tiger, a practice for the D-Day landings held in April 1944. Nearly 800 men (more than the number who died during the actual invasion of Normandy) were killed in the exercise, one of the great tragedies of World War II.

I began with Faulkner and end with Faulkner, who really understood the past and the present. "It's all now you see. Yesterday won't be over until tomorrow and tomorrow began ten thousand years ago."

Tuesday, September 11, 2012

Here Come the Brides

A fanciful person once asked me: "Why do women cry at weddings?" Well, I have an opinion about that, but it's one I usually keep to myself. There are, of course, many marriages that are an excellent cause for a good cry.

In Wife of the Gods, by Kwei Quartey, there is an interesting story about one of these sad instances.

In Ghana, on the western part of the African arm, there is a custom that goes back for generations. Accepted in the past, it has become controversial in the present. The custom relates to the Trokosi, which is translated to wife of the gods or slave of the gods. These are young women who are given in their early puberty to the holy man of the village to serve him in all ways and to make reparations for possible wrongdoings. Traditionalists are in favor of the custom and deny that slavery is involved. The Ghanaian government, as well as other organizations, oppose the practice.

Detective Inspector Darko Dawson is a city boy who lives in Accra. He is quite pleased with his life as a policeman, husband and father. He has had tragedies in his past, having lost his mother when she disappeared after a visit to her sister in Ketanu, and when his brother was severely and permanently injured in an accident.

Accra
Aside from having an anger management problem, Darko is ordinary––except for a special sense called a synesthesia, with which he can hear special qualities in people's voices. He describes voices as the sensation of soft, wet grass on bare feet, the texture of rich warm velvet, and even the sense of a sharp wet river reed scraped across the palm. These descriptions help the reader get a better sense of the character so described.

A young medical student, Gladys Mensah, was helping out in the village of Ketanu, bringing education about sanitation and AIDS. She was also trying to help the young girls and women known as the Trokosi. One day, she is found murdered near the area where the village priest/holy man lived. One of the Trokosi, Efia, is the person who finds the body. Many years earlier, Efia’s uncle murdered a man and was imprisoned, but the family feels they have been cursed and are suffering from the gods' displeasure. The elders of her family go to the high priest, Togbe, who communes with the gods and tells them that all will be well if they bring him a female child to serve at the shrine. She will belong to the gods and she will give birth to the children they give her through Togbe. Thus, at the age of 12, Efia becomes a wife of the gods.

Witchcraft and traditionalist healing and spirituality are essential elements of the story. DI Dawson has more modern beliefs, and he decries old-fashioned notions. This is what makes this story especially satisfying; the juxtaposition between a modern city like Accra, and life in a rural area such as Ketanu.

Dawson is sent to the location to clear up this case. He has relatives in the area and he speaks the local language, Ewe. He has mixed feelings, because he feels more at home with concrete under his feet, and memories of the disappearance of his mother in this part of Ghana have kept him from visiting his family, his mother's sister, for decades. But, on the other hand, he may re-investigate this mystery as well. He too, has a foot in both worlds, even though he has tried to put the past behind him.

This is a story of contrasts. The reader gets a better sense of Ghana because of the inclusion of both the city and the country life. The elements of the story that give a picture of the past make the present stand out, as the culture of the Ghanaians evolves as do all ways of life. Solving a mystery with modern techniques at hand makes the witchcraft stand out in stark relief. Finally, Gladys and Efia are women who belong to two different worlds, but in a small town in Ghana, their stories come together in a nice contrast.

This book has been compared to Alexander McCall Smith's Botswana mysteries, but aside from the African setting most things are quite different. The pace, the characters and the subject matter make this a unique mystery of Africa. I am really looking forward to the next in the series, Children of the Street.

Another problematic form of marriage is expounded upon in the novel Desert Wives, by Betty Webb.

"What do you call a dead, sixty-eight-year-old polygamist? In the case of my thirteen-year-old client, you call him your fiancé."

Arizona private investigator Lena Jones took Rebecca Corbett away from Prophet Solomon Royal, because her job was to rescue her from a polygamy compound called Purity, and soon the men from the area would be swarming to take back what they saw as their property: a breeding-age girl.

Rebecca's mother, who had left the compound sometime before, has hired Lena to find the girl, whose father had returned to the compound and taken young Rebecca with him. He brokered a deal in which he would get two 16-year-old brides, and the head of the polygamists, Prophet Solomon, would get beautiful Rebecca.

It is no use to call in the police, since the reality of the political situation is that despite laws against polygamy and child marriage, it was still prevalent in many small enclaves of Mormon fundamentalist sects that separated from the mainstream LDS Church, and the local authorities do not interfere with the sects.

Lena and Jimmy Sisiwan, her partner at Desert Investigations in Scottsdale, Arizona, have hidden Rebecca among Jimmy’s Pima Indian relatives. Then, the leader of the compound, Prophet Solomon, is found dead and Rebecca’s mother is arrested for the murder of the polygamist.

Polygamist sect wives and children
Lena goes undercover at the Purity compound, masquerading as one of the wives of a sympathetic member of the compound who, while believing in polygamy, do not endorse child marriages.

As Lena learns while undercover, there are troubles afoot in Purity. The new “Prophet” is more moderate, and is totally against underage marriage, as well as forced marriage, but he has an uphill battle and his life is also been threatened.

Many of the male members of the Purity compound have access to arms, and many of the women who seemingly are docile and hardworking are seething below the surface. What is causing this pot to boil? Why do the authorities turn a blind eye time and again?

As The New York Times pointed out, if Betty Webb had gone undercover and written Desert Wives as a piece of investigative journalism, she'd probably be up for a Pulitzer.

Who would you ask to define wife? You might get an unexpected answer. When Anonymous was asked to define a husband, he had this story to tell: "I told my wife that a husband is like a fine wine; he gets better with age. The next day, she locked me in the cellar."