Showing posts with label Cook Thomas H.. Show all posts
Showing posts with label Cook Thomas H.. Show all posts

Monday, April 28, 2014

The Envelope, Please: Forecasting the 2014 Best Novel Edgar

I can't resist making some predictions for the Edgar Awards, presented each spring by the Mystery Writers of America, even though my forecasting abilities are nil. I've been wrong in my Super Bowl betting for years and that's when I've had a 50-50 shot at picking right. D'oh! For the Edgars, I might as well roll the dice or pick a name out of a hat. In fact, I'll do that too.

I invite you to make predictions any way you choose and to share them with us in the comments section beneath this post. As we all know, opinions about books and ranking them are subjective enterprises and the Edgars judging panels are as human as we are. (As far as I can tell, Edgar-nominee Matt Haig has planted no extraterrestrials on the Edgar panel.) We'll find out how well we agreed with the judges this Thursday, May 1, when the winners are announced at the MWA banquet.

Without further ado, I'll show you the nominees for Best Novel and tell you what they're about:

Sandrine's Case by Thomas H. Cook (Grove Atlantic/Mysterious Press)
The Humans by Matt Haig (Simon & Schuster)
Ordinary Grace by William Kent Krueger (Simon & Schuster/Atria Books)
How the Light Gets In by Louise Penny (Minotaur Books)
Standing in Another Man's Grave by Ian Rankin (Hachette/Reagan Arthur Books)
Until She Comes Home by Lori Roy (Penguin Group (USA)/Dutton Books)

When Sandrine's Case opens, Sam Madison, an unlikable Coburn College professor, is on trial for murdering his enigmatic wife, Sandrine. Between chapters of trial proceedings, Sam, who narrates, mulls over their relationship.

The Humans, by Matt Haig, details a visit to Earth by an extraterrestrial from Vonnadoria after Cambridge mathematician Andrew Martin scared that planet's extra-intelligent inhabitants by solving the Riemann hypothesis. The Vonnadorian's undercover mission is to take Martin's place and get rid of any evidence the hypothesis was solved.

In Kent Krueger's standalone, Ordinary Grace, its middle-aged narrator, Frank Drum, looks back at 1961 in New Bremen, Minnesota, when he was the 13-year-old son of a Methodist minister. That summer, a series of deaths rocked the community and his family and ushered Frank into the world of adults.

How the Light Gets In, featuring Armand Gamache, Chief Inspector of the Sûreté du Québec, is the ninth in Louise Penny's popular series. It finds Gamache investigating a Three Pines disappearance against the backdrop of Sûreté infighting and corruption. Sister Mary Murderous reviewed it here.

Retired Edinburgh cop John Rebus is working as a civilian in the Serious Crime Review Unit of the Lothian and Borders Police in Ian Rankin's Standing in Another Man's Grave. After he fields a call from a mother convinced that her missing teenage daughter is one of a series of disappearances, Rebus dusts himself off and muscles his way into an active Edinburgh CID investigation. (See my review here.)

It's 1958 in Lori Roy's gothic-tinged suspense Until She Comes Home and Alder Avenue, a working-class Detroit neighborhood, is undergoing steady decline. Residents are frightened when a black prostitute is murdered near the local factory but the police ignore the death. It's the later disappearance of Elizabeth, a mentally disabled white girl, that galvanizes Alder Avenue.

Prediction:

I'll try to give you my thinking without divulging book spoilers.

Matt Haig
There were moments in reading Haig's The Humans when I laughed aloud at the Vonnadorian's confusion over customs we take for granted. At other times, my heart swelled with his joyful discoveries. Despite the book's lapse near the end into something akin to Hallmark card philosophizing I enjoyed its amusing and sentimental look at what makes us human. I think the Edgars are much like the Oscars, though. It's rare for a humorous nominee to win the big enchilada and I don't see an exception for The Humans looming on the horizon.

Ian Rankin
When Rankin retired Rebus in 2007's Exit Music, I was afraid we'd lost him forever. I read Standing in Another Man's Grave with a sense of relief and excitement. Rankin puts ol' Rebus under the searchlight here and we see anew how this man is a poor fit for the modern metropolitan police force. The force has changed since his retirement, but Rebus hasn't. He can't stick to assigned duties or stop smoking and drinking and he has no interest in learning how to use high tech investigation tools. He'll always have the fattest file in the Complaints department. Thank God. I don't think I could take a reformed Rebus. Rankin's plotting purred along as usual without any signs of rust. This is a good book and deserves its nomination. Because it's not Rankin's best, I don't pick it for the Edgar.

Lori Roy
Lori Roy is interested in the pain that accompanies social change. I liked her Bent Road, which won the 2012 Best First Novel by an American, and I liked Until She Comes Home, too. Roy does a great job of capturing 1950s Detroit, the lives of housewives and their working husbands, the shuttering factories, open and hidden racism and fear of what the future will bring. She looks at what motivates a person to commit a crime and how that crime drops like a rock into a neighborhood pond, sending mud and trash to the surface and creating ever-growing ripples of irrevocable change. Her writing is lyrical and she made me think. Yet, I don't think this is her year.

Thomas H. Cook
Thomas H. Cook dazzled me with Sandrine's Case. It's an intricate and unpredictable courtroom thriller with Sam facing the death penalty and I found myself going back and forth about whether he actually murdered Sandrine. His arrogant self-centeredness made me recall that awful Teddy Bickleigh from Francis Iles's Malice Aforethought, and we know how guilty he was. In addition to the legal jousting, Sandrine's Case is a gripping examination of a marriage, à la A.S.A. Harrison's The Silent Wife. I didn't care whether this exact marriage exists in the real world. What Cook captures very well is the growing awareness and animosity between a long-married couple when they can't figure each other out, they can't get through to each other and they no longer remember what motivated them to marry in the first place. During the trial, Sam slowly strips off his skin for us and we can see his heart and brain. He begins to understand his much more talented and attractive wife, Sandrine. It's amazing how a dead woman comes to vivid life. We ultimately cotton on to each of them, their marriage and Sandrine's death.

Louise Penny
I won't start a Louise Penny book unless I'm in a comfy chair with some milk and cookies handy because it's all part of the guaranteed-to-be-good Three Pines experience. There's such a sense of coming home while reading this series, with each book building seamlessly from the last, with a continuing cast of characters and themes of corruption and threats of reorganization interweaving with threads of the current investigation. How the Light Gets In is one of Sister Mary's favorites in the Three Pines series and it's one of mine too, a joy to read.

William Kent Krueger
William Kent Krueger is best known for his excellent Cork O'Connor series and he stretched for the powerful look at faith and redemption in Ordinary Grace, a nonseries book. It's obvious he knows the '60s, his Minnesota setting and the sort of people who lived there very well. His plot is deliberately paced and straightforward, even though it rolls out through the memories of a man looking back at his youth; interesting in this Edgars competition because another nominee, Thomas H. Cook, has used this device to good effect in some of his books, such as The Chatham School Affair and Breakheart Hill. Krueger's plot didn't surprise me but there are paragraphs of such strength and beauty that I had to stop so I could read them again.

I won't be surprised by the Edgar going to Cook for his clever and surprising courtroom drama, although if I were an Edgar judge I'd vote for Penny. She has written one excellent book after another leading to the fix her protagonist finds himself in in How the Light Gets In, but I think it will go to Krueger. Ordinary Grace seems like a Best Novel Edgar winner, the literary equivalent of Oscar-winning movies such as Ordinary People and Chariots of Fire.

Title drawn out of a hat: Lori Roy's Until She Comes Home. I'll laugh if this title wins the Edgar because I'll be able to claim I picked it to win.

I'll be back later this week to pick the Edgar winner for Best First Novel by an American.

Note: The nominees for Edgar Awards were all published in 2013. Other categories for the 2014 Awards are Best Paperback Original; Mary Higgins Clark Award, for the book most closely written in the Mary Higgins Clark Tradition according to guidelines set forth by Mary Higgins Clark; Best Fact Crime; Best Critical/Biographical; Best Short Story; Best Juvenile; Best Young Adult; and Best TV Episode. Special Edgars this year include the Robert L. Fish Memorial Award, for the best first mystery or suspense short story; the Grand Master Award; and the Raven, for non-writers who contribute to the mystery genre. For a complete list of 2014 nominees and the data base of previous years' nominees and winners, see the Edgars website here.

Monday, February 13, 2012

The Badification of Love

Valentine's Day is Tuesday, February 14th. It's a time for celebrating love with greeting cards, gifts, champagne toasts and kisses. That's tomorrow.

This is today, at Read Me Deadly. It's a time for observing the badification of love in crime fiction. Let's look at some good books involving love that's unrequited, gone missing, gone awry, gone belly up . . . . In other words, love that's gone bad.



Unrequited or obsessional love has inspired many rock 'n' roll songs, and Eric Clapton's "Layla" is one of the best. You might want to play it while we think about books such as John Fowles's The Collector, in which a lonely young butterfly collector named Frederick Clegg kidnaps his beloved Miranda Grey and keeps her captive in the hopes that she will come to love him. Or Lolita, Vladimir Nabokov's disturbing 1955 masterpiece about Humbert Humbert, a middle-aged man who falls in love with 12-year-old Dolores Haze, and then marries her mother.

Of course, unrequited love doesn't always inspire a crime. It may merely burrow into the heart of a criminal or a sleuth, making his or her life more or less miserable and leading readers to groan in empathy. In David Liss's wonderful historical fiction set in 18th-century London, Benjamin Weaver unrequitedly loves the very beautiful Miriam Lienzo, but he is a Jewish ex-prizefighter, and his ethnicity prevents his entry into higher society. He makes a living finding thieves and debtors for the wealthy. In A Conspiracy of Paper, the first book in this literary series, Weaver is hired to find the murderer of a client's father, and his search becomes a Russian nesting doll of financial jiggery-pokery and murderous intrigue.

Keigo Higashino creates a nightmare for his characters when brilliant high-school math teacher Ishigami hankers after his apartment-house neighbor Yasuko Hanaoka in the riveting 2011 book The Devotion of Suspect X. When Yasuko kills her cruel ex-husband, Ishigami leaps to help her dispose of the body and to fix an alibi. The body is discovered and identified, and the police are quickly led to Yasuko and Ishigami. A cat-and-mouse game that becomes increasingly complex develops between the police and Ishigami.

Sometimes the unresolved nature of unrequited love makes it haunt a heart forever. Jeffrey Eugenides's The Virgin Suicides involves the five young and lovely Lisbon sisters, who committed suicide one after another, and the mesmerizing effect these deaths have on their hometown of Grosse Pointe, Michigan. Hannah Pittard's Nora Lindell is 16 years old when she goes missing in The Fates Will Find Their Way and, in a similar way, this event stuns some adolescent boys. Nora's disappearance still preoccupies them 25 years later.

In 1962, Ben Wade was a Choctaw, Alabama, teenager secretly in love with a beautiful classmate, Kelli Troy, who had recently arrived from Maryland. It was the early days of desegregation, and Kelli was outspoken in her support of it. Then Kelli was murdered. In Breakheart Hill, by Thomas H. Cook, Wade, now a middle-aged physician, looks back at the days leading up to Kelli's death and its shattering aftermath. His halting narrative that dances around the facts reminds me of Ford Maddox Ford's John Dowell, who slowly teases out the surprising truth of his marriage in The Good Soldier.



Sometimes the death of a loved one creates a terrible void. So terrible for Frank Cairns, that he feels compelled to do something criminal about it. In Nicholas Blake's 1938 book, The Beast Must Die, Cairns begins with a vow: "I am going to kill a man. I don't know his name. I don't know where he lives, I have no idea what he looks like. But I am going to find him and kill him." This unknown man is the hit-and-run driver who killed his seven-year-old son. The police have run out of leads, so Cairns builds some information and logical leaps into a case against a man whom he befriends in order to better plot his revenge. The Beast Must Die is both serious and lighthearted, full of twists and turns, and the fourth Nigel Strangeways book written by Nicholas Blake, the pen name of Cecil Day-Lewis, England's Poet Laureate and father of actor Daniel Day-Lewis.

Edward Elgar, British ecclesiastical composer
Authors sometimes fill death's lonely void with a ghost, which the book's characters don't always appreciate. British fiction writers cannot leave Edward Elgar alone. The last time I saw this British composer, he was taking a fictional trip up the Amazon in James Hamilton-Paterson's Gerontius. (That is a stunning book, by the way, and I recommend it.) Now, Phil Rickman puts a dead Elgar to work as a ghost, haunting his beloved Malvern Hills, in The Remains of an Altar, the eighth Merrily Watkins book. When does this poor man get to retire? Merrily, Anglican vicar of Ledwardine, has been asked in her role of Deliverance Consultant to the Diocese of Hereford to exorcise the bike-riding Elgar, who is causing road accidents. Proposed development on a Wychehill hillside possibly sacred to the Druids, Merrily's 17-year-old daughter Jane's activism, a new night club, and the ambitions of the church choirmaster are a troublesome stew coming to the boil. Rickman's series is an entertaining blend of historical research, mystery, and horror.



What does love got to do with it? Even if singer Tina Turner is less than thrilled with love, P. D. James's Cmdr. Adam Dalgliesh is clear about its role in murder. Early in his career, he learned that all the motives for murder could be covered by the four L's: love, lust, lucre, and loathing. Check out these two traditional books of crime fiction, written with tongue planted firmly in cheek, that have the L's pretty well covered:

Bill Crider's eleventh Dan Rhodes book, the charming A Romantic Way to Die, finds Obert College the site of a romance writers' workshop. Townspeople of Clearview, Texas, are thrilled that local-boy-turned-famous-Fabio-dude Terry Don Coslin is back in town. Terry Don's aim is to appear on the cover of every single romance novel published. Given his pecs ("hard enough to strike a match on"), his flowing locks and his handsome face, this is a real possibility. Several local residents are also attending the workshop, including newly-published author, Vernell Lindsey. A well-known New York agent is even scheduling appointments at Obert. It's a cryin' shame when the conference is interrupted by a death, and laid-back Sheriff Rhodes must investigate.

Elizabeth Peters's Die for Love, third book in her entertaining Jacqueline Kirby series about a college librarian, is set at a New York City convention for historical romance writers and their fans. The enterprising Kirby wants an escape from Nebraska, so she travels to New York for this convention, where she poses as an author so she can write off the trip on her tax return. When a murder takes place, the always-curious Kirby feels compelled to investigate despite the warnings of a very attractive cop. D'oh!



Listening to the Righteous Brothers always makes me sing in the shower. I'd be curious to know if  "You've Lost That Loving Feeling" inspires you in that way, too. Maybe you'll feel inspired to read one of these books about love that's wandered away.

Dick Lochte's hardboiled novel Sleeping Dog is teeming with lost love and the just plain lost. The narrative alternates between Serendipity Dahlquist, the teenage granddaughter of a Los Angeles soap star, who prides herself on her worldiness and intelligence, and a tired but dedicated ex-cop turned private detective named Leo Bloodworth, aka "The Bloodhound." Serendipity is referred to Bloodworth when her dog Groucho is stolen, but they have barely met before Bloodworth's smarmy office mate is murdered. The two mismatched sleuths set off on a complicated trail. (Note: there is some material in this book that is painful reading for animal lovers, but I read it with a hand over one eye and the other eye half closed, and I survived.)

Drink to Yesterday by Manning Coles opens at a coroner's inquest in a small town in Hampshire, England, on July 19, 1924. A well-liked garage proprietor has been found dead in his home. After the jury reaches its verdict, the story looks back at Chappell's School in the spring of 1914, where a pump and some rubber tubing have been sitting in a lab for simply ages, just waiting to be used by some bored school boys to inject air into the gas line that lights their school. During the months that follow, teachers and staff disappear into the war effort, and one of the gas-line pranksters follows as well. The result is a grim, realistic story set behind German lines in 1941, but told in such a graceful way that it is a bittersweet pleasure to read. The spies are casual about their braveness, but they are very brave indeed. The people back home who love them need to be brave, too, because as Tommy Hambledon tells his young recruit, "Once the job has taken hold you'll find that nothing else in life has any kick in it, and apart from the job you're dead. Neither the fields of home nor the arts of peace nor the love of women will suffice." Being a spy can be heart breaking, and we're not talking about James Bond here.



What would crime fiction be without dangerous women who need a man's help? Ask private eye Sam Spade in Dashiell Hammett's The Maltese Falcon, insurance salesman Walter Neff in James M. Cain's Double Indemnity or Korean-American investigator Allen Choice in Leonard Chang's Fade to Clear. In the first Allen Choice book, Over the Shoulder, San Jose Sentinel reporter Linda Maldonado saw Choice through a horrific sequence of events, including his being framed for murder. The two became lovers, but then Linda called it off. Now, in Fade to Clear, the intriguing third book, she tells Choice her nine-year-old niece has been kidnapped by the girl's father, Frank Staunton, who is in the middle of a divorce from Linda's sister. The father and daughter have disappeared. Will Choice help? This is trouble all around for Choice, since Staunton is a real badass, Choice's current girlfriend will not appreciate his involvement in Linda's case, and Linda herself presents a problem. But Choice doesn't have a choice. (Oh come on, you completely saw that coming!) This is no place for a discussion of fate and free will. The point is, for better or worse, Choice doesn't stop thinking in Fade to Clear.

Now that we've whetted your appetite for some crime fiction involving love and warned you about the approach of Valentine's Day, you can't say that you don't see it coming TOMORROW. Don't forget your sweetie, family, pets, friends, and the people at work who make it bearable. You can be nice tomorrow. Today, after your Valentine's Day preparations are finished, you can kiss it all off by treating yourself to a nice book about crime.