Should we believe in coincidences? I believe I should. Lately, I picked up several books in a row that all repeated a similar theme. It meant either that plenty of authors have similar dreams, or my reading picks are not as random as I thought. It may also be a sign that I am meant to write about these books. Their main idea is that what goes around comes around, and what you did during World War II will come back to haunt you, no matter where you did it. It is usually Sister Mary who has the goods on skullduggery during the Second World War, but I will trespass just a little bit today.
William Faulkner said, "The past is never
dead. It's not even past." This quotation might be the best part of his Requiem for a Nun and it really came to mind with Death on the Marais by Adrian Magson.
Marais is the French word for marsh, or quagmire, and that is what Inspector Lucas Rocco finds when he is transferred from his Paris job to Poissons-les-Marais. He had
been a Paris policeman for a long time when a new broom in the Interior
Ministry felt that the more rural provinces needed some Parisian expertise in
law enforcement. Rocco was exiled to this country village in Picardie, a northwestern province of France. His superiors had a few interesting things to say of him, like that "he was an insubordinate bastard, insolent as well as pushy, dogmatic and a
nobody, reckless … a rebel. A good cop, though."
Rocco expects the new assignment to be quiet,
uneventful and maybe boring, but he doesn't expect that the first thing he will run into in the village is a crowd pulling a dead woman from the marsh at the
edge of a war cemetery. The shocker is that she is wearing a Gestapo uniform––when World War II has been over for 20 years.
This novel is set in the 1960s, and Rocco's war experiences are of another war, not World War II. He
spent his army days in the jungles of Indochina during the conflict between the
French and the Vietnamese, after France reoccupied the area after World War II. He had
developed sharply-honed survival skills that come back to him as he negotiates the treacherous bogs of the marais, as well as the vagaries of the locals as they once again align themselves into separate camps of collaboration and
Once the woman is identified as the daughter of
a well-connected wealthy man named Phillippe Bayer-Barbier, Rocco heads
back to Paris, following the trail of very dirty secrets. The detective is astounded at
the man's reaction to his daughter's death. Bayer-Barbier begins to lie and
then distance himself, behaving as if she brought this on herself. He is a man with many skeletons in his
closet, most of them nasty, and most of them having been buried during the war.
There is an interesting cast of ancillary
characters in this village: the local policeman, a tramp whose expertise is
defusing bombs left over from the war, as well as several people who service a
small mansion where Parisian men come for nefarious, mostly sexual, purposes and
perversions. Rocco doesn't know whom to trust, and the seemingly calm waters
hide dangerous undercurrents. The mystery is exciting and as murky as any marais, and what has happened in the past lies bubbling just under the surface.
The dogs of this war refuse to lie down in
other countries as well. In Italy, there is still a pas de deux featuring people who took different sides
in the war, and who still distrust each other, but now must perform together
Jill Downie's Daggers and Men's Smiles begins in Guernsey, a Channel Island that
was the site of great German fortifications and an Organisation Todt forced-labor camp in which prisoners were worked to their deaths. Detective Inspector Ed Moretti returns
from a trip to Italy to find that while away, he has been assigned a new female
partner, DC Liz Falla. There is also an international production company on the island, making a movie
based on a bestselling novel about an aristocratic Italian family at the end of
the Second World War.
The novel is called Rastrellamento and dramatizes a military round-up of partisans who had been betrayed to the Nazis. Guernsey's cement bunkers, underground command post and hospital make for excellent film locations, and the cream on the pie is that the manor house is still inhabited by
expatriate Italians, the Vannonis.
Ed Moretti himself is of Italian heritage. His
father was a prisoner of war in the Todt camp and his mother was a native
Guernsey girl who risked her life to give him food. After the war, he came back
and married her. Ed speaks Italian and this is of help when a series of murders
shakes up the island.
First to die is the philandering son-in-law of the
Vannonis, and then the pompous author of Rastrellamento. The striking feature of both
murders is the use of a ceremonial dagger similar to one on the Vannoni coat of arms.
There is quite a bit of mystery surrounding the
Vannonis, and the past is never spoken of. The solutions to the crimes lie in
Italy and in what went before. The Vannonis were, at one time, involved with
Mussolini, fascism and more. Moretti goes to Italy to find his answers.
Both Death on the Marais and Daggers and Men's Smiles are the
first in a series. I liked Rocco, Moretti and Falla. Both of the Guernsey
cops moonlight musically in the evenings, when they have free time. Ed plays a
mean jazz piano and Liz is a folk singer with an Enya sound.
Even in the US, the echoes of the World War II past
come back like ghosts. In Desert
Run, by Betty Webb, the mystery is fashioned on some of the real events surrounding
the German POW camps in Arizona. A documentary is being shot at Papago Park
about the German POW camp that had been located there, and the "Great Escape" of Christmas Eve, in 1944. The film is to tell the story that
during the autumn months, the prisoners dug a tunnel under the desert floor to
a nearby river, which the escaping Germans planned to use to transport themselves to Mexico.
With the help of a map, which appeared to show that a nearby
river flowed all the way to Mexico, and under the cover of singing Christmas
carols, 28 escapees went under the fence. They soon discovered that in
the Sonora Desert, rivers are usually dry and go nowhere. Most escapees were recaptured in
One surviving escapee, Kapitan Erik Ernst, is now 90 years old and about to be interviewed about these past events. Before he can speak his piece, he is murdered. Scottsdale PI Lena Jones is doing security for
Warren Quinn, the director of the documentary. Both Quinn and the Ethiopian
caregiver, who has been accused of Ernst's murder, want Lena to find his killer. The answer may lie in the past.
During the escape, three men separated from the
others, who were recaptured. Ernst was among the three who avoided immediate recapture. They fled into the
mountains, where they were suspected of brutally murdering a local family.
Another suspect in Ernst's death is Chess Bolinger, the only member of the family to survive the massacre. He had plenty of motives
to kill Ernst, because he had been living under the suspicion of being the
murderer of his family as well. And he knew the truth.
Nothing is known of the other two men who were
with Ernst, and Betty Webb weaves an intriguing tale about what happened to
these men. In a postscript, she gives the reader a short history of the
POW camps, the 1944 escape and the recapture off all of the 25 escapees. She mentions
that several former POWs moved to Arizona after the war. In 1985, there was a reunion
of former POWs at the site, which is now part of the Oakland Athletics training
Out of the blue, the next book I picked up was Kate Ellis's The Armada Boy, which tells a tale of a D-Day veteran returning to England for a reunion.
Fifty years after D-Day, a group of elderly Americans have
returned to the Devonshire town of Bereton, where they had prepared for the Normandy
invasion. One of the old soldiers, Norman Openheim, is found murdered on the
grounds of an old chapel where the GIs used to meet the local girls for
The people of the area have long memories––many of them good, but most bitterly recall that their village was taken from them
by the authorities, and when they return, it was a shambles. It was no secret that the GI influence over the local girls was resented.
It seemed also that Norman might have left more than
just memories behind. His wartime girlfriend was pregnant when he was recalled to the US. Norman's wife does not seem particularly saddened by his demise when Detective Sergeant Wesley Peterson begins his investigation
by interviewing her. Motives swirl around this case, because one of the reunion party is suspected of raping a local girl and one of the GIs was supposed to have shot a local man who was poaching in an out-of-bounds area. Yes, indeed, the past is where the answer is to be found for this death in the present.
The historical facts of the matter were that there was an area of Devon
evacuated at the end of 1943 so that the US troops could rehearse the D-Day
landings there. All the local people and their animals were evacuated and had
to find alternative places to live. There is a memorial on Slapton Sands in South Devon to the
American troops who died during Exercise Tiger, a practice for the D-Day
landings held in April 1944. Nearly 800 men (more than the number who died
during the actual invasion of Normandy) were killed in the exercise, one of the
great tragedies of World War II.
I began with Faulkner
and end with Faulkner, who really understood the past and the present. "It's all now
you see. Yesterday won't be over until tomorrow and tomorrow began ten thousand
Thanks for feeding my addiction to WW2 crime fiction!ReplyDelete
Thank you for liking Rocco - and your neat summary of the plot without spoilers. To paraphrase your quote from Faulkner, and echoing the book's theme, 'The Past is never dead - it merely goes to sleep for a while.'ReplyDelete
Thanks for dropping in. Rocco is a unique man with an unusual background which really added to the story. I am looking forward to reading about his next adventure in Death On The Rive Nord.