Showing posts with label inverted mystery. Show all posts
Showing posts with label inverted mystery. Show all posts

Friday, June 15, 2012

Book Review of Gerald Jay's The Paris Directive

The Paris Directive by Gerald Jay

Like most longtime mystery readers, I feel an eager anticipation when I start the first book in a new series, wondering if it will be an introduction to a protagonist who will become like an old friend, revisited each year. In the case of The Paris Directive, just the listing of the first few chapters provided a frisson of excitement:

1. Berlin
2. Élysée Palace, Paris
3. Hotel Adlon, Berlin
4. L'Ermitage, Taziac
5. Frankfurt
6. Dordogne River
7. Café Valon, Taziac

Ah, looks like international intrigue; perhaps a political thriller. We begin by meeting Klaus Reiner, hired killer, whose cold efficiency, bland good looks and fluency in German, French and English have put him at the peak of his deadly profession, with the ability to choose the most lucrative contracts.

Reiner's newest assignment takes him to the fictional village of Taziac, in France's Dordogne region. The beautiful village in summer, with its cafés and restaurants, makes no impression on the all-business Reiner. He just wants to get the job done and move on, with the satisfaction of seeing an impressively large new deposit to his numbered account in Switzerland. But the hit goes wrong and Reiner has to take out four wealthy, middle-aged tourists, instead of just the one contracted for.

This is where our protagonist enters the scene. Paul Mazarelle, a former Paris police detective now living in Taziac, jumps on the case like a dog on a bone. Mazarelle had moved to Taziac, his young wife's home, when she became ill, and he is now a widower who doesn't know whether to make Taziac his permanent home or return to Paris. Mazarelle is a comfortably large, sympathetic and unassuming middle-aged man with a luxuriant mustache, who enjoys his pipe, good wine and food, and women. But, most of all, Mazarelle likes to sink his teeth into a meaty murder case.

Mazarelle's investigation quickly identifies a likely suspect, but he has some doubts about the neatness of the package presented to him, and digs deeper, mostly hampered rather than helped by his men, especially Dutoit, whose job qualifications include stupidity, laziness, insolence, racism and habitual abuse of suspects and witnesses. When a couple of the murder victims' daughter arrives from the U.S. to kibitz the investigation and further inflame the interest of the already-annoying journalists and gadflies who have descended on the town, Mazarelle's job becomes more complicated.

An intriguing cat-and-mouse game begins between Mazarelle and Reiner, which leads to a tense and dramatic climax. Readers who enjoy inverted mysteries (those in which the culprit is known; not a whodunnit) should enjoy this story––though it has some flaws, mostly in characterization. The reader doesn't get a good feel for what Mazarelle is really like. At first, he seems like a shrewd, avuncular investigator. But later actions belie that image and we don't read anything to reconcile the differences into a fuller understanding of a more complex character. Similarly, Reiner turns from a coldly calculating and controlled, intelligent hitman into something quite different, but with no convincing reasons given for the alteration.

Gerald Jay is a pseudonym. Whoever he is (one reader reviewer claims he is an attorney for JP Morgan Chase), despite these stumbles in characterization, his writing is assured and powerful, leading me to believe he must have some kind of writing experience. Jay is said to be at work on a new Mazarelle book. I'm hopeful that as we get to know Mazarelle better, he will become a friend we're pleased to welcome for an annual visit.

Note: I received a free advance copy of the book for review. It is scheduled for release by Knopf Doubleday on June 19. A version of this review appears on the Amazon product page, under my Amazon user name. The nature pictures in this post are from Gerald Jay's blogsite.

Friday, October 21, 2011

Sympathy for the Devil

There's a theory that the reason why women supposedly read mysteries more than men is because women like the way mysteries set things to rights. I'm dubious about that, since the implication would be that men don't care much whether order is restored. Actually, now that I think about my husband's untidiness and talent for losing things, maybe there's something to the theory after all.

But I'm getting off track. My real purpose is to talk about a couple of mysteries in which things may not be set to rights. We don't see the story through the eyes of the good guys and follow along as they nab the criminals and restore law and order. In these books, we see things through the eyes of the criminal and we are meant to want him to get away with his crime–or at least to want it a little bit.

One of the first in that vein that I've read is Malice Aforethought, by Francis Iles (one of the pseudonyms of Anthony Berkeley Cox). We know who the murderer is from the very first line of the book, one of the most intriguing in crime fiction: "It was not until several weeks after he had decided to murder his wife that Dr. Bickleigh took any active steps in the matter."

Dr. Edmund Bickleigh is a bit of a milquetoast who is squashed under the thumb of his shrewish wife, Julia. He has played around for years, but now he's stuck. He's fallen in love, or at least an overpowering lust, and his inamorata will not consider marrying a divorcé. Bickleigh is convinced of his own genius when he comes up with his plan to rid himself of Julia by way of a more lethal (and far less legal) method than divorce. If only he'd listened to his wife's assessment of his talents! Things keep going wrong for poor Bickleigh and he comes up with ever-more elaborate and deadly schemes to cover his tracks.

This is a darkly satirical look at a village where all appears placid and respectable, while every deadly sin imaginable teems beneath the surface. Malice Aforethought was made into a 1979 four-part BBC miniseries and a 2005 Granada Television production shown on PBS's Mystery! series.

It's a big jump from the weekend tennis parties and dalliances of the Devonshire village of Wyvern Cross to an assassination plot against General Charles de Gaulle, but strap on your seatbelt, because that's where we're going. Frederick Forsyth's The Day of the Jackal is a gripping suspense thriller about a professional assassin, code-named the Jackal, who is hired by a right-wing group to kill de Gaulle, whom they believe has betrayed France by granting independence to Algeria.

We are led to identify with the Jackal through the book's descriptions of his lengthy, methodical and ingenious preparations for the job. We learn a lot about getting fake identification papers and passports, smuggling weapons, tracking a target and laying false trails. This is good educational stuff. After all, you never know when that kind of expertise might come in handy.

The assassination plot is revealed to the French authorities, but not the Jackal's real name or even a description. Now the chase is on. We're introduced to the men who are set on his trail: Claude Lebel, a French police detective, and Detective Superintendent Bryn Thomas of Scotland Yard, who becomes involved when the Prime Minister insists that Britain help foil the assassination plot.

In the cat-and-mouse game that follows, it's hard not to identify with the Jackal, even though he ruthlessly uses and disposes of people along the way in his mission. At the same time, Lebel and Thomas are so often just one step behind and we want their hard work to be rewarded too. The climax will definitely raise your blood pressure, and it's followed by a satisfying puzzle of an epilogue.

The Day of the Jackal was made into a 1973 film of the same name, starring Edward Fox as the Jackal. If you've never seen the movie, you're in for a real treat.

I was going to talk about another classic in the sub-genre of mysteries told from the point of view of the murderer, but then I remembered that we don't realize that's what's happening until the end. Can you identify this 1926 novel? If you need a hint, look down a few lines. (If you don't want to have the plot spoiled for you, in case you don't know this book and might read it later, you may want to avoid reading the comments on this post.)


Hint: The title of a book about the book is in the form of a question.