Showing posts with label OConnell Carol. Show all posts
Showing posts with label OConnell Carol. Show all posts

Friday, December 23, 2011

Book Christmas Trees

These days, the word "green" is being bandied about in all sorts of ways. When Kermit sang "It's Not Easy Being Green," he was referring to the color of his skin. Now it could be mistaken for a lament on the difficulties of recycling and saving resources of all kinds for the betterment of the earth. I hear phrases like "my office is green" and no longer assume that the worker is envious of the office next door. But if you are following the latest library trend of book Christmas trees, you would not help but be envious of the creativity used by librarians around the world.

Many libraries are suffering from the lack of a budget for holiday decorations and have found more than one use for their books. They have created trees that require absolutely no water and can be taken apart and reused. The tree above is from Gleeson Library in San Francisco.

From the Old World comes this picture from the University Library of UWM (University of Warmia and Mazury) in Olsztyn, Poland.

Janet Randolph in her Mystery Fanfare blog shows some excellent examples of trees created in this way. I thought I would take a leaf from her book and think about what kind of tree my favorite characters would build.

Ken Bruen's Jack Taylor loves and cherishes his books. He only owns a few due to his somewhat peripatetic lifestyle, but he would honor them with a star. The tree at left is a mixture of tipsy and balance just like Jack himself.

Walt Longmire, a Wyoming sheriff created by Craig Johnson, wouldn't spend the time or effort looking for a tree unless his daughter Cady would be home for the holidays. But I can just see him putting together this collection from his shelf of books because it looks outdoorsy and rustic.

Neil Hamel, a lawyer in Albuquerque, New Mexico spends more time solving her (yes "her," despite the name) cases in novels written by Judith Van Gieson than she does doing housework. After settling down in the evening with a glass of tequila, she would look up at the books on her shelf, realize that there was a method to her collection and she would top it off with a star.

Margaret Maron's Sigrid Harald, a lieutenant in the NYPD, has learned a little color sense from the time she spent with her artist lover Oscar Nauman. Rather than brave the jam-packed New York City crowded streets she would wile away her down time by creating the tree at right. A tall woman, she has considered herself plain, but there is beauty for those with discerning eyes.

Kathy Mallory is another New York City Police lieutenant who has little free time. Those moments of leisure are usually filled with her somewhat nefarious hacking skills. In Carol O'Connell's novels, she is very methodical and precise in both her private and professional life. She might own only a few books because she lives a minimalist lifestyle. She would definitely spend the time it would take to create this tree with its precision corners.

Charlaine Harris's Sookie Stackhouse is quite traditional and would like the red and green displayed in this bright tree. She would have her roommate witch do a spell to get the right number of books in the appropriate colors. Sookie herself has to watch her dollars and would enjoy having a double-use tree.

Peaches Dann is a sleuth created by Elizabeth Daniels Squire. Peaches is getting older and, while she has always had some problems with her memory, she has learned ways to cope. Of all her methods, the endless stream of post-it notes can come in most handy. But how do you handle the little pieces of paper when they have outlived their usefulness? By morphing them back into a tree, of course.

This last tree is one that I might like in my office.

I couldn't find a tree made out of Kindles, Nooks or iPads, but they wouldn't be green anyway.

Tuesday, September 6, 2011

Grit Under Your Fingernails in New York City

Labor Day has walked away. You need to brush beach sand off your pants and get serious. You sit down at the kitchen table to balance your checkbook, no, c'mon, I said "serious," not "hopeless." You dig in the frig. Armed with something cold and wet, you shoot a glance at the clock. Good. You've got several hours to kill. This is no time for something romantic or soothing. Today, you want to chew some bullets. You head to the sofa with one of the hard-edged babies mentioned below:

Over the course of Lawrence Block's outstanding Matt Scudder series, the ex-cop/unlicensed private eye drags you into one neighborhood bar after another before he bottoms out and sobers up. Then he stays sober with the help of AA, and the books become less dark. You don't need to begin with the first, The Sins of the Fathers, in which Cale Hanniford asks Scudder to look into his daughter's death; instead, you can start with Eight Million Ways to Die (a prostitute finds big trouble when she wants to quit her profession) or the particularly fine When the Sacred Ginmill Closes (Scudder looks back to the 1970s when he was drinking heavily and juggling several investigations for friends). A couple of other good entries in the first half of the series are A Ticket to the Boneyard (a serial killer goes to work on a list) and A Dance at the Slaughterhouse (the rape and murder of a TV producer's wife lead to a Scudder investigation in this excellent but disturbing book). After you've read a few, you might want to read them all. The utilization of New York's underbelly setting, plotting, and cast of characters are first rate.

Lush Life by Richard Price is set in the Lower East Side of Manhattan. It involves an investigation by an Irish cop and a Dominican female detective into the killing of young Ike Marcus, an unsuccessful actor/café manager, after a night of bar hopping with a couple of friends. Price's dialogue is really something, fresh off the streets. The plot sprawls, but that's okay because it's much more than a police investigation. It's also a look at how Ike's murder affects everyone: the victim's father and friends, the cops who investigate it, and the neighborhood itself. Price grew up in a Bronx housing project and knows New York's neighborhoods well. If you haven't read anything by Price, whose screenplays include Sea of Love and The Color of Money, give him a shot. His riveting book Clockers deals with the crack trade in a fictional city in New Jersey and is also worth a read.

Jerome Charyn wrote an inventive 10-book series featuring Isaac Sidel, an NYPD captain who later becomes deputy police commissioner and the city's mayor. I started reading these books after a guy whose reading tastes I like described them as "very hip, off the wall, and full of jazz-like riffs of words." They won't appeal to everyone; in addition to its surreal quality, the writing almost explodes off the page with vitality. Adult language and sexual content from the git-go. A lot of slang; Charyn likes words. They should be read in order. (You do know about Stop, You're Killing Me! don't you? You can find series order there.) Start with Blue Eyes, the first book in the Isaac Quartet, in which NYPD Detective Manfred Cohen butts heads with his mentor, Deputy Chief Inspector Sidel. In the second, Marilyn the Wild, Charyn examines what led to the events in Blue Eyes.

Jim Fusilli, a Wall Street Journal rock and pop music critic, writes an excellent neo-noir series about a man named Terry Orr, whose life is upended when his wife and son are murdered. Orr obtains his private eye license in order to track down their killer, but he takes other cases, too. In contrast to the violence of this series is the loving relationship Orr has with his daughter Bella. Fusilli captures the music and art scene of modern Manhattan extremely well. Vivid writing, good characterization and plotting. Like Charyn's books, these should be read in order. The debut is Closing Time.

Kathleen Mallory is a girl living on the streets when she comes to the attention of cop Louis Markowitz, who becomes her adoptive father. Mallory grows up to be a computer whiz and joins the NYPD. Her crime-solving methods are unconventional; Mallory has much in common with the criminals she chases. This series by Carol O'Connell opens with the death of Markowitz in Mallory's Oracle. In the next several books, more about Mallory's background is slowly revealed, and they should be read in order for that reason. This is a skillfully written and powerful series with an unusual and fascinating protagonist.

I still haven't recovered from Charlie Huston's The Mystic Arts of Erasing All Signs of Death. That book, full of nasty and weird people and revolting yet funny scenes, is an excellent read if you're not easily grossed out or offended. It's not set in New York. But Huston's series featuring an alcoholic ex-baseball player named Henry Thompson, who now tends bar, is set in Manhattan. Huston (no relation to John Huston) is a screenwriter who knows how to plot and write dialogue. His Thompson books (Caught Stealing is the first; if you're an animal lover, you might want to skim the cat-torture scene like I did) are irreverent, full of black humor, and very gritty neo-noir.

Parker is a coldly logical master thief working in New York City in a dark series by Donald E. Westlake writing as Richard Stark. It's difficult to create a violent, amoral character a reader would dread meeting and yet make that reader root for him; however, Stark manages this very well. The plotting is absolutely terrific. The best way to read these is the first three (The Hunter, later filmed as Point Blank with Lee Marvin; The Man with the Getaway Face; and The Outfit), and then you can skip around. (Be sure to check Stop, You're Killing Me! because some of the Parker books were also published under other titles.) Butcher's Moon, published in 1974, serves as somewhat of a finale in that characters from the preceding 15 books team up with the relentless Parker to retrieve heist money he lost in Slayground. Plots from previous books are mentioned, so be aware you'll read some spoilers. Don't miss Butcher's Moon, though, because it's a great read. Parker returns in 1997's Comeback, another excellent book. If you're only familiar with Westlake's comic caper series featuring Dortmunder, an inept burglar, you'll recognize this writer's amazing versatility after reading his Parker books.

Chester Himes (1909-1984) was imprisoned for armed robbery, and while in the joint he read Dashiell Hammett. In the 1950s, he moved to Paris, where he was appreciated more than he was in the United States. Himes wrote a stunningly original, dramatic, and violent series starring Grave Digger Jones and Coffin Ed Johnson, two ornery black NYPD detectives in Harlem. The books are full of gallows humor and warmth. Harlem leaps from the pages. Start with the 1958 French Grand Prix de Littérature Policère-winning A Rage in Harlem (originally published as For Love of Imabelle), in which a naive man named Jackson becomes involved with con men and counterfeiting. Some others: The Real Cool Killers (Coffin Ed's daughter steps into this supposedly open-and-shut case), All Shot Up (a heist involving a furious car chase in a storm and crooks dressed as cops)The Big Gold Dream (Alberta Wright dies at a revival meeting, and Coffin Ed and Grave Digger join the scramble to find her money), and Cotton Comes to Harlem (a scam involving a bogus preacher and a back-to-Africa movement demands investigation; the 1965 book was later made into a movie). Be warned, these books are not a sedate walk with a butler to the conservatory where you trip over a well-mannered corpse, but a wild and crazy ride with two hard-nosed cops through the streets and back alleys of Harlem.

The books above are some suggestions for obliterating end-of-summer drowsiness and preparing you for the specific rigors of fall: doing homework, raking leaves, watching football, or making a Halloween costume. Then, too, lolling on the sofa, reading about sleuths pounding NYC sidewalks while buses belch and taxis squeal around corners, is very satisfying. One can't leap immediately from summer relaxation into fall's tend-to-business mode, you know.

I'm sure you have some ideas about gritty books set in New York (Mickey Spillane, anyone?), and I'd love to hear them. At some other time, I'll talk about noir or Ed McBain's superb 87th Precinct books set in fictional Isola, New York, but right now I need another cold one.