|Lady Jane Digby|
Some big names have mysteries coming out in September, October, and November. One of my favorite writers, Rita Mae Brown, has a new entry, Let Sleeping Dogs Lie (Ballantine Books, November 4), in her Sister Jane series. Like her Sneakie Pie Brown cozy series, the Sister Jane books are set in mid-Virginia horse country. But these books are in between cozies and hard-boiled. Yes, people are frequently killed––and sometimes in truly bizarre fashion––but the characters are genial and likable. (Many times, even those who are murdered are likable.) The major human characters, "Sister Jane" Arnold, her boyfriend, Gray Lorillard, and other members of the Jefferson Hunt Club are joined by a variety of nonhumans, in the form of horses, dogs, foxes, cows, and even birds and owls. Brown gives voice to everyone––human and beast alike.
One of the things I love about series books is how the main characters evolve and change with plot developments. That's particularly true in Brown's Sister Jane series; we see her age in place, while maintaining relationships that go forward through the years. Students graduate from schools, jobs are held or lost, hunt club friends go through emotional turmoil and are helped by each other. (For those readers who are put off by Sister Jane as a Hunt Club master, please know that no foxes are killed in American fox hunting. The dogs––if they're lucky not be evaded totally by the fox––will put the fox "to ground." The dogs are trained not to injure the foxes, and in Rita Mae Brown's books, the foxes and dogs are often friends.)
Let Sleeping Dogs Lie is the first Sister Jane book since Fox Tracks was published in 2012.
Another writer of series books is Deborah Crombie. Her sixteenth book about London police detectives Duncan Kincaid and Gemma Jones, To Dwell in Darkness, is to be published on September 23 by William Morrow. Though writing with a much heavier hand than Rita Mae Brown, Crombie does an excellent job of updating the lives of the now-married Kincaid and James with each book. The crimes the couple is called on to investigate for Scotland Yard, though, are psychologically dark and frightening.
It's good to compare Deborah Crombie's writing with that of Ian Rankin's in his Detective Inspector John Rebus series. Both books show the private lives of the police officers and the impact of crime solving on their private lives. (Oh, and speaking of Ian Rankin, Amazon shows two "new" books to be published on October 14, 2014. Though careful investigation, I have figured out that these "new" books were actually first published 10 and 20 years ago! So be careful when looking at "new" books . . . .)
And speaking of new books, let's focus on new authors of old books. Did you think Agatha Christie was dead? Well, she is––she died in 1976––but her character, Hercule Poirot, is being resurrected in a new book, The Monogram Murders: The New Hercule Poirot Mystery (William Morrow, September 9). Evidently written by Dame Agatha using an ouija board, she is joined by the un-dead author, Sophie Hannah. Hannah is an experienced mystery writer; she writes the Zailer and Waterhouse series, among other books.
How do you, as a reader, feel about one mystery writer taking on/over the characters of another, beloved writer? I sure didn't like P. D. James's Death Comes to Pemberley, and I wondered why such a well-thought-of author as James would even attempt to add anything to the work of an even better-thought-of author, Jane Austen.
So, if you're game to see how Sophie Hannah will write Hercule Poirot, then have at it. But please report back to us if you think Agatha would approve or if she'd be spinning in her grave at this new story of her longstanding character. Personally, I think old characters should remain with their old authors. Present-day authors should invent their own damn characters and stop poaching the old guys.
But let's look at Stephanie Barron's new book in her Jane Austen series, Jane and the Twelve Days of Christmas (Soho Crime, October 28). Unlike author Sophie Hannah, Barron hasn't taken a character from Jane Austen's writing; she's taken the author herself and given her the adventures. She makes Austen the heroine of a set of cozy mysteries, set in the early 1800s. Here's a problem with most authors who attempt to write a book with Jane Austen as the main character. They seem to forget that life and manners are much different in 2014 than in 1814. Oh, the main themes of mysteries might be the same––greed, infidelity, and jealousy––but they are expressed much differently in modern writing. Can Stephanie Barron carry off era-appropriate writing? Or will Jane's adventures seem to be taking place in 2014? I don't know, but the plot of Twelve Days is going to get me to take a chance!
Author Robert Olen Butler returns with the third in his Christopher Marlowe Cobb series, The Empire of Night (Mysterious Press, October 7). The book is set, as were the first two in the series, in the early years of World War I. Cobb, an American newspaper reporter, has been enlisted to spy for US intelligence services in 1915, after the sinking of the Lusitania. (By the way, the Lusitania is the subject of Erik Larson's new book, Dead Wake: The Last Crossing of the Lusitania, due to be published in March, 2015).
Another new book that is not specifically a mystery, but might be of interest to some of Read Me Deadly's readers is Bettina Stangneth's Eichmann Before Jerusalem: The Unexamined Life of a Mass Murder (translated from the German by Ruth Martin; Knopf, September 2). It's nonfiction and has received excellent reviews.
These are a few of the books coming out this fall. I've already kicked the cats off my favorite reading chair and I'm ready for days with shorter hours of sun, but more time inside with good books.