Who's that detective with the droopy raincoat of uncertain vintage? You know, the one with the slouch hat that saw Margaret Thatcher come into office? Is it Columbo? Or is it Wingfield's Jack Frost? Try again. That's right––it's Vera Stanhope! Ann Cleeves introduced her in The Crow Trap. I have been an avid fan ever since.
A crow trap is a large wire mesh cage with a
funnel inserted into the top. Inside is placed a live tame crow that
dances and flutters about, inviting any other crow to come in and defend its
territory. Once in through the funnel there is no way out.
On a windy April day, three women meet for the first time at Baikie's Cottage in the North Pennines.
This cottage had been owned by a naturalist and illustrator, Constance
Baikie, who once walked through these hills in search of inspiration. In her will, she launched a charitable
trust to encourage environmental education and research, and donated the cottage
to that end. The three women visiting Baikie's Cottage are all scientists; Rachel is an expert in bird life, Annie is a botanist and
Grace is a zoologist.
Their purpose for visiting the
cottage is to do a survey for an environmental concern, prompted by a developer's desire to buy the land for a quarry. The land is next to a farm known as Black Law
Farm. Rachel visits the farm and discovers the body of a friend of hers, Bella, with a suicide note. Rachel believes a look beyond the obvious is called
Before long, there is
another death, a murder, and Detective Inspector Vera Stanhope enters the case. Vera is a
native to this part of the country and she is unlike any police inspector these
women have ever seen. As a matter of fact, she knew the original Constance
Baikie and attended Bella's funeral. When she did so, the women all took her for
a bag lady. Vera is large and dresses in loose-fitting clothing because she suffers from eczema. She is
always barelegged and wears sandals in all weather because of her condition. No
one would realize that she is very well regarded in the Northumbria police and
heads her own murder squad.
She is obsessive about her work, and is driven by her own demons.
Her associates accept her bad temper and cutting sarcasm because she is quite intuitive.
Her trusted and long-suffering colleague is Detective Sergeant (DS) Joe Ashworth,
her sometimes right-hand man and occasional surrogate son.
These women all have
more in common than they realize. Life has treated none of them gently; more
specifically, men in one way or another have betrayed them all. But they are all
insightful and can see through facades more easily than others. Vera Stanhope
is also very good at her job and, while she lacks for romance in her life, she usually
gets her man––in the police sense of the word.
Vera theorizes that if
the women stay at the cottage, the murderer will be drawn back and will be
bait––like the crow in a trap. Is she doing the right thing? Rachel recognizes
the ploy right away; after all, she is an expert on the avian psychology.
There are many currents
swirling below the surface of this story. Some locals don't want the
quarry. The local landowners have dirty little secrets, as is always the
case. Bella, the suicide victim, is not at all what she seemed, Annie had
secrets, and Annie's husband had secrets, Grace had secrets and Rachel’s mother
had secrets. It is an excellent start to a gripping series.
In the fifth series book, 2012's The Glass Room, Cleeves joins the ranks of those writers who turn
the spotlight back in their own direction and write about writers and writing.
It all begins when a
tired Inspector Vera Stanhope drives home, trying to appreciate what remains of
a perfect October day. The views are one of the reasons she lives far from
people of any kind, except for a couple who are living nearby in a back-to-the-land, sort-of-hippie fashion. She is astounded to find that Jack, one of
these neighbors, has Goldilocked his way into her chair in front of her own fire
and then proceeds to loudly wail that his wife is missing.
On her own time, Vera tracks her down to a retreat for writers of all sorts. It belonged to Miranda Barton, a
once-successful author who now owns a large rambling house, in which Miranda puts on a number of
residential courses for writers with different levels of experience. She calls
her place The Writer's House, and she and her son Alex provide excellent
experiences for small groups of writers. For any given event, there several well-known authors as tutors, and others in the business who can provide connections
to publishers as well as a good word. The current course is directed to the
wannabe crime writers.
Before Vera gets her
foot through the door, she is recognized as police and she is escorted directly
to a recently murdered guest, found knifed to death in a glass conservatory. By the time her partner, Joe, arrives Vera has had
a good look around, also managing to find the errant wife, Joanna. The writers have locked Joanna in a room because she was seen coming out of the conservatory, knife in hand.
While Vera realizes that
it would be appropriate to excuse herself from the case because of her acquaintance
with the suspect, she has her own definition of appropriate. She has always
plowed ahead and little gets in her way. Courage mixed with guile is stock in trade for Vera.
The victim was
well-known critic and teacher, Tony Ferdinand. He was a man with such power in
literary circles that a word from him could guarantee success in getting
published and in getting read. If only he hadn't abused this power, he wouldn't
be lying dead with few to mourn him.
The murder itself was unusual,
not only in its setting but in the critical way it was staged. Vera sees the
killer as creative and detail oriented, with a flair for the dramatic. It is
clear to Vera that neighbor Joanna has been set up.
Cleeves has depicted a cast
of very well drawn and interesting characters, and the story moves along at a rapid
pace. Vera uses her murder squad for the details, but it is her insight into the
workings of murderous minds that brings this story to life.
Cleeves has been
writing clever mysteries, with birds as a backdrop, since the mid-1980s. She started
with George Palmer-Jones, who was an amateur bird watcher in Surrey, England. I
still have a few of those, although they are yellowed and dry. I also follow the
Jimmy Perez Shetland Island series.
In 2011, British television
launched the series Vera.
For public viewing, they
cleaned Vera up a little. I suppose the bag lady, homely, eczema-ridden Vera
just wouldn't make it on TV. But her essential character translates very well
to the screen, and series five has been promised for 2015.
The latest book in
Cleeves's Vera Stanhope series, Harbour Street, was
just released in Great Britain and I hope the US debut won't be far behind.
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