The Scotsman review says, essentially, that Tigerman is a comic book in which the superhero's subdued alter ego is protagonist Sergeant Lester Ferris, worn out by his tours of duty in Afghanistan and other trouble spots. Along with representatives of the other western allies, Ferris is sent to act as consul to the island of Mancreu. Long a pirate isle, it's now a powder keg with a wide variety of restless natives. A powder keg with the fuse lit, because scientists say that an underground volcano will soon blow up the island––and maybe destroy the planet.
Ferris informally adopts a street urchin who calls himself Robin, after Batman's sidekick in the comic books he's addicted to. Ferris becomes a superhero, Tigerman, to Robin and the community when he totally kicks ass against a gang that attacks and kills the local café owner. But now, as conditions become increasingly anarchic on Mancreu, Ferris has to stick with the role, which includes finding out what's behind the deadly attack on the café, where Robin comes from, and whether there is anything to the rumors that the boats offshore are home to a gang of international cutthroats involved in human trafficking, drugs and mercenary activities. This being a Harkaway book, there will naturally be operatic levels of action! adventure! and emotion!
Stilman has his work cut out for him. There have been so many of his exposés, so many targets who might want their revenge, from Argentine war criminals to Chinese child traffickers. Or it could be somebody a lot closer to home, like the wife to whom he had just confessed a serious indiscretion, or the resentfully envious cokehead of a co-worker. Publishers Weekly calls it a page turner that is as much about the big issues Stilman covers as it is about the thriller plot, but cautions that the ending may disappoint.
Levy's been a best-selling writer in France, but he hasn't made it big in the US yet, despite the fact that his If Only It Were True was adapted for the screen in the Reese Witherspoon romance Just Like Heaven. Replay seems perfectly designed for summer beach reading, so maybe this will be his US breakthrough.
Shy Alain had thought of himself as living on the periphery of events, and had to content himself with living vicariously through the artistic masterpieces that he showed at his cinema. That is, until he begins a romance with the woman in the red coat who was in the audience every Wednesday night. Then, one night as he is closing up, a famous director and his muse appear and tell him that they want to use the cinema as the shooting location of their next film collaboration.
This Hollywood attention suddenly makes Alain and his cinema the focal points of the public's gaze. But when this spotlight is turned on, Alain's new love disappears. Alain leaves the periphery of events and living vicariously, and sets out to find her––and become the lead actor of his life.
In just a few weeks, though, The Mad and the Bad (translated from the French by Donald Nicholson-Smith, New York Review of Books Classics, July 15, 2014) will hit the streets. The publisher's book description implies more than it tells, but the picture I get is that the fabulously rich and famous Michel Hartog might just be a big-time psychopath. He hires Julie out of an insane asylum to care for Peter, his nephew, who is now an orphan due to the accidental (?) death of Hartog's brother.
Hartog then hires Thompson, a hit man with stomach problems, to take out both Julie and Peter. The targets manage to escape Thompson, and all three then head for the mountain estate where Michel is holed up. Anarchical violence ensues.
Manchette saw good noir as social criticism told, anecdotally, through the form of the crime novel. It's true you can see politico-social messages in Manchette's books, but most of the time you're too busy reading breathlessly, trying to keep up with the fast pace and wild action. I'm not even much of a noir reader, but I wouldn't consider missing one of Manchette's.
The spouse is always the prime suspect, right? Absolutely, and especially when you find out that Oliver had three of them. This is something Picasso suspected for a while, based on her eavesdropping on Oliver's phone calls, seeing what looks like a family portrait of Oliver with a different woman and kids, and catching sight of a female visitor at the house who was accessorized like Diana. When the two other wives show themselves, you'd expect the three women to be at each others' throats, but they seem to find it beneficial to provide cover for each other, at least for awhile.
Investigating police Detective Kyle Kennedy has his turn at the narration, along with each of the wives, and a portrait of the charming, but conniving and maybe even sociopathic Oliver emerges. Those of us who read a lot of mysteries are used to falsehood, red herrings and misdirection being inherent in the plot, but I'm excited about the entertainment value of a book that promises so many lying liars and the lies they tell.
Pilar's proposal is that in return for the resort's plush accommodations, gourmet food and hot-and-cold running alcoholic beverages, Jacob will do some damage control by writing a puff piece for the resort. While he's there, he'll also try to find Hilary. Jacob lives in a cramped studio apartment in Queens, so naturally he jumps at the offer.
As soon as he lands in Bolivia, he gains all kinds of unwanted attention, from a political gang that might have had something to do with Hilary's disappearance, and the nebbishy Kenny, a co-worker of Hilary's, who firmly believes (with no evidence) that he and Hilary are soul mates. With Kenny firmly attached to his side, Jacob investigates. One of my favorite authors, Christopher Fowler, who writes the Peculiar Crimes Unit series, says: “Travel doesn’t just broaden the mind; it can also get you killed. Sassy, cynical Jacob Smalls is an ideal guide for journeying into unknown territories.”
In his younger days, Fitger made a big splash as a novelist, but he turned off friends, colleagues and lovers when he used what they had thought of as their private lives as inspiration for his fiction. Now, he is a tenured professor at a small midwestern university whose students are more likely to end up asking if you want fries with that than writing for a living. Fitger is bitter about the lowly status of his department compared to more career-oriented departments, like economics, and despairing about his prospects of future successful publication, but he still manages to have a bit of a soft spot for some of his students.
Here's the kicker. Dear Committee Members is an epistolary novel, in which Fitger reveals his thoughts about his students, himself, the university, life and work in a series of recommendation letters he writes for his students applying for various jobs and positions. The publisher's book description says: "Finally a novel that puts the 'pissed' back into 'epistolary.'" That seems like a groaner of a tag line to me. I'm more attracted by Kirkus Reviews' summing-up: "Truth is stranger than fiction in this acid satire of the academic doldrums."
In addition to being a successful writer with two prior adult novels and five young adult books (including the well-known The Unbearable Book Club For Unsinkable Girls), Julie Schumacher is a professor of English and Creative Writing at the University of Minnesota. She estimates she writes at least 100 letters of recommendation every year. I hope her subjects don't see themselves too clearly in Dear Committee Members.
A very (very) different book about a writer is Boris Fishman's A Replacement Life (Harper, June 3, 2014). First things first. There is a lot of food in this book, which is set mostly in Brooklyn, New York's Jewish community of immigrants who came to the US in the mass exodus from the Soviet Union in the late 1980s and 1990s. Invite these people to the cookout and you'll get a lot of food on the table, though you might not recognize all of it.
When I first read the description of A Replacement Life, I thought: Are you kidding? A book about a writer helping Russian Jews falsely claim Holocaust restitution funds? Considering that we still have plenty of anti-Semites and Holocaust deniers around, it just seemed like breathtaking––maybe even offensive––chutzpah to write this.
But while this scheme is what moves the plot along, it's secondary to the real subject, which is about Slava Gelman's complicated love for his grandmother, who has just died, and his now-widowed grandfather. Slava has always wanted to be a writer, but he's not getting anywhere in his job at Century magazine. He uses his best writing to tell his grandmother's story through the affidavits he invents.
Like the well-known writer Gary Shteyngart, Boris Fishman was himself part of that flood of Soviet Jews who found a home in the United States. Fishman was born in Minsk and came here in 1988. This is an immigrant-experience book like no other I've ever read, in particular the dizzying richness of its language. Only someone for whom English is a second language can revel in it the way Fishman does.
|Away's cover was based on Sherrie Wolf's Fruit Bowl Still Life|
Her new novel, Lucky Us (Random House, July 29, 2014)––also with eye-catching cover art––promises to be another engrossing, unusual tale of characters you've never seen the likes of before.
The story begins:
My father’s wife died. My mother said we should drive down to his place and see what might be in it for us.That's 12-year-old Eva talking in 1939, shortly before she meets Iris, the half-sister she never knew she had. Eva finds herself dumped with her father and Iris, and within a couple of years she and Iris will head west together, so that Iris can pursue her dream of Hollywood fame. As in Away, though, this won't be just a journey from east to west. It will be a much longer and meandering trip, over a 10-year period, involving a colorful array of characters and events, and an exploration of what family really means.
The quest for family is also the theme of Tom Rachman's The Rise & Fall of Great Powers (The Dial Press, June 10, 2014); in this case the quest of bibliophile Tooly Zylberberg. Since Tooly's journey moves among Bangkok, New York City and Wales, I'm suggesting that a takeout carton of Pad Kee Mao on the cookout table comes closest to making sense in connection with this book.
In each slice of Tooly's life, she is cared for––sort of––by various people, including the flighty Sarah, the charming conman Venn, the uptight Paul and the bibliophile and self-proclaimed slob, Humphrey. In 2011, when Tooly gets a call about Humphrey, she decides to return to New York and get answers about all of these characters and what her proper place is in their universes––and theirs in hers.
Each trip back to 1988 and 1999 gives the reader more insights into Tooly's life and helps inform her current quest. This makes the book sound so purposeful, though, as if it's a directed and determined quest, when it feels much more leisurely and rambling than that; almost picaresque. And it's filled with conversations and debates about history, politics and society.
I don't associate a book by filmmaker John Waters (Hairspray, Serial Mom, Pink Flamingoes) with any particular dish at a potluck cookout. Instead, I see a plate that is the opposite of the one held by the kid who can't stand for his foods to touch. Waters would start with some fried chicken and a couple of Maryland crab cakes, then layer on some three-bean salad, tuna noodle casserole, a little bit of every dish that all the other guests avoid and then, on top, a big glistening mound of lime-green Jell-O––ah, what the heck, stick a deviled egg on top of that, sprinkle with M&Ms and you're good to go.
In Carsick: John Waters Hitchhikes Across America (Farrar, Straus and Giroux, June 3, 2014), well, I guess the subtitle tells you what happens. Just the idea of that pale man with the pencil mustache sticking out his thumb to get from his Baltimore home to San Francisco (which used to be known as Baghdad by the Bay, back when Baghdad meant "exotic," not "war zone") makes me giggle, if a little nervously. Before he hits the road, he imagines Best Case Scenarios (like, everybody will be crazy and happy and share pot and hot sex with him) and Worst Case Scenarios (like, everyone will be hostile and homophobic and he'll get beaten up and jailed).
Once he gets on his way, he finds the real thing very different from anything he'd imagined. He's surprised by the friendliness and kindness of his many automotive hosts, including a farmer, a minister's wife, a rock band and, most surprising of all, a straight-arrow Republican city councilman. I'm used to reading crime fiction, where a road trip like this would end with a shallow grave in the desert, but I'll perfectly willing to give up murder and mayhem for a ride-along with the Pope of Trash.
Note: Thanks to the publishers and Amazon's Vine program for providing advance reviewing copies of The Rise & Fall of Great Powers and A Replacement Life. Versions of my comments about those books may appear on Amazon and other reviewing sites under my usernames there.